Some simply focus on a single amp but there are many that are much more complex and effects-laden, taking full advantage of the full complement of reverb, delay, compression, EQ, filter, chorus, flanger, phaser, pitch-shift, rotary, tremolo, synth, wah and more. The factory presets deliver some superb tones that play and sound great straight out of the box. (Image credit: Future / Olly Curtis) Sound Quality Rotary push-knobs perform different functions depending on which page is shown in the display. With all this functionality, three physical footswitches should be plenty – as long as you have them organised! The Tap and Hold footswitch functions are fully customisable, so it’s quite feasible to do things like use one footswitch to, say, toggle between Scenes 1 and 2 with a tap and go to Scene 3 with a hold. The factory presets deliver some superb tones that play and sound great straight out of the boxįor changing functions on the fly, a press-and-hold on the central footswitch can take you to the Master Layout where the three footswitches let you select the Presets, Scenes or Effects layout. In the Effects layout, for example, that function can be used to change which three effects are controlled by the physical footswitches, while in the Scenes layout it offers a different set of scenes across the switches. Usually a press-and-hold on the left or right footswitches will move to the next set of three footswitches in the 12. While there are only three physical footswitches, there are many ways to use them: 12 footswitches – each with one Tap and one Hold function – are defined in the eight different switch ‘layouts’. You could set up one preset with all the Scenes you need for a song (or even a full set) and switch Scenes when needed.įractal says that the large 800x480 colour display is optimised for readability in the most difficult conditions. Scenes may be the way to go when using the unit live as switching is more seamless than reloading an entire preset. You can have up to eight of these per preset, each storing the engaged or bypassed status of the blocks and their active Channel for a range of alternative versions of the preset’s rig, maybe with different levels of gain for an amp and/or different effects engaged – there are myriad possibilities. Each block also has up to four Channels, so a Drive block could provide access to four different overdrive pedals or perhaps the same pedal with four different settings.Īll of that comes into play when you’re switching between Scenes, which are like presets within a preset. Each block has access to a range of different models: there are 269 amps while the Drive block has 43.Īs for cabinets, there’s every factory cab from the Axe-Fx III plus 1,024 User Cab memory locations. Between a Congress defining the cutting edge of mathematics and all the citizens of the world, it does not erect the wall of an Ivory Tower (or Fortress) but an extraordinarily mutually beneficial bridge.There are some things missing, such as a vocoder, but the essential stuff is all present and correct – there’s just less of it, like two Drive and two Delay blocks, instead of four each on the Axe-Fx III. How wonderful that the organizers imagined and implemented this Exhibit. And in addition-as shown by this beautiful Exhibit-it is sweet and friendly to every citizen's eye. "How wonderful that one object should be at the same time so easy to draw and so complex, involving as it does one of the most challenging and frustrating open conjectures in mathematics. ( Read more about Mandelbrot.) The 25 works featured in the exhibit and in this album represent current fractal art as well as all the different techniques used in it. The works were selected through the International Contest of Fractal Art ICM2006, which Benoit Mandelbrot, "the father of fractal geometry," chaired. Fractal Art: Beauty and Mathematics was an exhibit at the 2006 International Congress of Mathematicians in Madrid, Spain.
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